Celebrating 43 years as a society!
© 2025 Wagner Society of Southern California
Events
The WSSC plans unique events
throughout the calender year…
Our events occur in several regular places
throughout the year and sometimes in special
locations which will be noted:
NOTE: ZOOM Events are for WSSC
members and guests who purchased
a $10,00 entry fee.
The Colburn School
200 S. Grand Avenue
Los Angeles, CA 90012
Directions
Parking
The Chairman’s Home:
1630 South Barranca Ave.. #167
Glendora, CA 91740
Directions
Bayreuth Festival
Festspielhügel 1-2
85445 Bayreuth
PARISFAL: THE WILL AND
REDEMPTION
Lecture with John L.
Mastrogiovanni, D.Min.
Via ZOOM Sunday, October 12th
@ 11AM PDT / 2PM EDT
Dr. John, our chairman, has been asked by the
Triangle Wagner Society to give a lecture on his
book Parsifal: The Will and Redemption.
Parsifal is Richard Wagner’s final musical and
philosophical treatise to the world. Since its
introduction to opera houses beyond Bayreuth,
many have shared their insights about what
the spiritual and religious meanings were
regarding this work. However, Wagner himself
knew what he meant when he conceived it and
had a definite purpose for the work. For
instance, on September 7th, 1865, Wagner
wrote to Mathilde Wesendonck and defined the
meaning of Kundry’s kiss, its impact on Parsifal
and the drama. In “Parsifal: The Will and
Redemption,” Dr. Mastrogiovanni, an educator
in theology for more than 40 years, as well as a
student of Wagner’s music since the age of five,
utilizes Wagner’s own concepts from his letters
and prose works to help define the meaning of
this amazing Sacred Stage Drama. As a recent
lecturer in Bayreuth said, “If you love Wagner’s
Ring and feel ready to enter his last opera
Parsifal – this is the book to accompany you.”
(Members of the WSSC and Opera League are
at a discounted price.)
KLAUS FLORIAN VOGT RECITAL
“One of the premier Wagner tenors
of our time.”
Sat., Nov. 29th 2025, @ 1PM PST
In person at the Colburn School
Klaus Florian Vogt is one of the finest Wagner
tenors of our time. His repertoire covers mostly
dramatic roles such as Lohengrin, Parsifal,
Tannhäuser, Stolzing, Siegmund and Siegfried
but also Florestan („Fidelio“), Paul („Die tote
Stadt“) and Hoffmann („Les Contes
d’Hoffmann“). It extends furthermore to lyric-
dramatic roles such as Erik („Der fliegende
Holländer“), and much more… He’s a much
sought after guest at all major opera houses
from the Bayreuth and Salzburg Festivals to
Munich, Berlin, Hamburg, Paris, London,
Barcelona, Vienna, Madrid, Milan, Toulouse,
Helsinki, New York and Tokyo.
Born in Holstein, in the North of Germany,
Klaus Florian Vogt studied horn and played for
several years with the Philharmonic State
Orchestra Hamburg. Later he studied at the
Conservatory in Lübeck and gave up his
position as a horn player in the orchestra to
become a tenor. He made his debut in
Flensburg and then became a member of the
company at the Opera in Dresden. Since 2003
he has been a freelance artist.
FAITH AND MIRACLES IN THE
OPERAS OF WAGNER
Lecture with Desiree Mays
Aired Sun., June 29th 2025
From a ring of power, a transformational
tarnhelm, magic potions and flower maidens,
to prayers to Teutonic gods and goddesses,
priestlike knights of the grail, an exposé of the
holy Eucharist, and more, the operas of Wagner
are filled with faith and miracles. Why? Is there
more to this than just theatrical narrative?
Desiree Mays, a truly seasoned writer and
lecturer on opera in vast arenas for decades, is
also a well-versed Wagnerian. She has a clear
understanding of Wagner’s texts and provides
simulating thoughts about his works and
beyond.